I have over two decades of graphic design experience across print and digital. My specialty is bringing humanity and personality to a project with voice, elegance, and intelligence. I like creating order out of confusion, clarity where there was none, and communication where once there was merely information. I believe in taking the long view while attending to the details. In any project, I strive to cut to the heart of the matter and uncover first principles.
I’m a generalist designer with a organizational leaning, with experience that ranges from books and brands to content strategy and websites. I work toward the most harmonious combination of aesthetic and voice, always pursuing the best union of form and content. My background extends from the literary to the visual, from my first job editing college textbooks to my wide-ranging career as a graphic/ux designer. The thread that runs through everything is a search for meaningful expression, whether the task at hand is a book jacket, a digital experience, or a hardware store for superheroes that’s also a writing center for kids.
For the great majority of my working life I’ve worked independently and entrepreneurially, always striving to maintain great relationships with clients and collaborators. This has habituated me to adapting quickly to the needs of any given problem without ego or prejudice. These are qualities I bring to every working engagement.
I’m particularly interested in designing experiences around the public’s connection to culture and creativity. I’m now seeking the stability of a permanent position and the rewards of contributing to an organization’s long-term success.
I create ad hoc portfolios on a request basis and am happy to provide examples of my work.
I’ve worked with Sam for over twenty years creating storefronts, product packaging, websites, print publications, posters, apparel, and more. Sam expertly takes collections of ideas and inspirations and synthesizes them into tangible design, infusing each project with his own wit and sensibility. He has been a collaborator in the truest sense of the word.
I have so enjoyed seeing all the many ways in which Sam could turn the design ask on its head and find the unexpected answer. It was always nothing less than an actual joy to correspond or talk with him. His work is fantastic, and I am endlessly awed to have had the chance to see how he thinks and how he creates.
Connecting people to culture in ways that are relevant and even challenging — this is a vital and urgent design challenge. These connections take all forms across media, both material and digital. The challenge is finding solutions that people find useful and compelling.
Doing the best work starts with doing work that matters. I believe culture and creativity — art, literature, music, learning — matter deeply to the better functioning of society at large, and to the quality of our lives.
Designing for behaviors is a bigger umbrella than designing just graphics or products. I’m interested in helping shape way people experience an event, an exhibit, or institution.
A key criteria I have for any new position is to work with people who are really, really good at what they do. I have so much to learn about leadership, impact, relationships — both within an organization and between stakeholders — and I’m seeking models of excellence. More than any huge famous company, I hope to join a culture of true expertise.
As I noted above, I’m interested in designing experiences around the public’s connection to culture. This might mean a role as part of the design and exhibitions team at a museum, or as the entire communications department for a small foundation, or most likely: something I haven’t thought of yet.
I live just north of New York City, within commuting distance. My preferred arrangement is a hybrid of somewhat regular on-site time combined with work-from-home days.